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Case Study: Emilio Perez Uses SmartStamp To Authenicate His Digital Animation Created for Times Square

Emilio Perez is a mul­ti­dis­ci­pli­nary artist whose first video ani­ma­tion, Dream Sea­son (2016), was com­mis­sioned by Time Square Arts to be dis­played on over 60 elec­tron­ic bill­boards in the most famous square in the world. The Mid­night Moment pro­gram, the largest coor­di­nat­ed effort in his­to­ry by the Times Square Adver­tis­ing Coali­tion in part­ner­ship with Times Square Alliance, runs every night from 11:57 to Mid­night and invites artists to exhib­it syn­chro­nized, cut­ting-edge cre­ative con­tent on elec­tron­ic bill­boards and news­pa­per kiosks.

Dur­ing the month of Novem­ber 2016, the pub­lic of Times Square was invit­ed to par­take in Emilio Perez’s visu­al road trip where their own imag­i­na­tion was at the wheel. Tens of thou­sands of peo­ple expe­ri­enced the jour­ney through the artist’s lan­guage of draw­ing and paint­ing, inspired by the rhythms and ener­gy of the cross­roads of the world and the start­ing point of the first transcon­ti­nen­tal high­way in the Unit­ed States.

Emilio Perez, Dream Sea­son. Pho­to­graph cour­tesy of Ka-Man Tse for @TSqArts

From the press release: “Through a series of col­laged draw­ings, paint­ed ges­tures, and lay­ers of atmos­pher­ic col­or that recall dis­tant galax­ies, this video ani­ma­tion ebbs and flows like the nev­er-end­ing crowds that pass through the city and the bod­ies of water that sur­round it. The twist­ing shapes and lines spon­ta­neous­ly mov­ing and shift­ing across the giant cin­e­mat­ic screens will give the view­er the free­dom to be trans­port­ed to oth­er worlds of their own cre­ation. The project was pre­sent­ed by Times Square Adver­tis­ing Coali­tion and curat­ed by Sher­ry Dob­bin, Direc­tor of Times Square Arts, in part­ner­ship with the Cuban Artists Fund.

Authenticate Digital Art Using SmartStamp’s Blockchain Technology

Emilio Perez took his famous Times Square piece and blockchained the dig­i­tal art file that was used to cre­ate the bill­boards. When an artist elec­tron­i­cal­ly sends a dig­i­tal art­work to anoth­er par­ty, that file already has a dig­i­tal twin and is at risk of being fur­ther dupli­cat­ed and manip­u­lat­ed. Perez’s authen­ti­cat­ed file of Dream Sea­son (2016) is now secure in his dig­i­tal cat­a­logue raison­né even as dupli­cates may exist in cyberspace.

These blockchain authen­ti­cat­ed files can also be dis­tin­guished from all ille­git­i­mate dig­i­tal twins. Should there ever be a ques­tion about the con­tent of that work, even long after Perez is alive, there is strong dig­i­tal foren­sics to prove it belongs to him, even if thou­sands of dupli­cates exist. If anoth­er artist copies parts of his cre­ation, he can also unequiv­o­cal­ly prove he owns every ele­ment of the intel­lec­tu­al property.

How does it work?

  • In a sim­ple click, gen­er­ate a cryp­to­graph­i­cal­ly secure, dig­i­tal hash of your data — entire­ly on your own com­put­er with a hash­ing algo­rithm (SHA-256) and blockchain time­stamp your dig­i­tal art file, whether it’s an image, audio, or video. This is the ulti­mate in anonymi­ty, pri­va­cy, pro­tec­tion, and efficiency.
  • Smart­Stamp doesn’t even know the con­tent of the file or who hashed it. There is no way to recon­struct the con­tent from any iden­ti­fi­er because we use one-way cryp­to­graph­ic func­tions. After you have trans­ferred the hash of your data to our servers, we embed the hash into the Bit­coin, Ethereum, and Aion blockchains using an eco-friend­ly bina­ry hash tree tech­nol­o­gy (we can col­lect bil­lions of time­stamps into one seed to upload once).
  • The inher­ent fea­ture of blockchain tech­nol­o­gy means the hash num­ber will change even if a sin­gle ele­ment of the meta­da­ta in the file is altered.
  • The hash num­ber stored on the blockchain ledger acts as a unique iden­ti­fi­er and can there­after be ver­i­fied by any autho­rized user. Even if Smart­Stamp dis­ap­pears, the data will not be wiped off and you can always access it using a third-par­ty ver­i­fi­er such as Chrome File­Hash. This decen­tral­ized nature of blockchain elim­i­nates the prob­lems caused by a ‘sin­gle point of fail­ure’ of data servers.
  • No need to use a third-par­ty reg­istry, share your iden­ti­ty, or give details about your art­work for the world to see — espe­cial­ly impor­tant if it’s a work in progress (you can hash the final work and its IP pre­de­ces­sors). The hash is avail­able eter­nal­ly on the blockchain, but your con­tent is not pub­licly exposed unless you share it. Of course, if you want to allow your work to be pub­licly ver­i­fi­able with­out your per­mis­sion, you can add your objects to an art reg­istry, such as our non-prof­it part­ner Artive​.org.

Con­tact us to learn more!

While we wel­come that the art world is embrac­ing the secu­ri­ty ben­e­fits of blockchain, at Smart­Stamp, we have always been con­scious about how blockchain is used and the best use cas­es for time­stamp­ing and smart con­tracts. Push­ing all of the world’s art object data onto blockchain reg­istries and mar­ket plat­forms — par­tic­u­lar­ly open ones — can cre­ate risks and doesn’t nec­es­sar­i­ly equal accu­ra­cy or secu­ri­ty. There are even risks asso­ci­at­ed with dig­i­tal art NFTs. Maybe an artist or col­lec­tor doesn’t want to share their art­work pub­licly, but wants a blockchain record. That is SmartStamp’s mod­el. We offer the secu­ri­ty and the user choos­es onto which data­bas­es and plat­forms to push that data, whether its their per­son­al col­lec­tion man­age­ment sys­tem or a pub­lic plat­form. The caveat with data­bas­es is still true: garbage in, garbage out. My first muse­um job was Cat­a­loguer of the Per­ma­nent Col­lec­tion at the Whit­ney Muse­um, where we sys­tem­at­i­cal­ly combed through the col­lec­tion records to ensure clean and stan­dard­ized doc­u­men­ta­tion, so these best prac­tices have been ingrained in me from the start 

Juli Bail­erCEO Smart­Stamp
  • There are online blockchain reg­istries where mem­bers have uploaded the Mona Lisa as their own work, so most reg­istries require users to pro­vide legal iden­ti­fi­ca­tion, which of course, can be fake, but can also put indi­vid­u­als at risk. We ful­ly respect KYC reg­u­la­tions, espe­cial­ly when it comes to mon­e­tary trans­ac­tions, but Smart­Stamp offers blockchain anchors of data, while respect­ing that some data and some trans­ac­tions are not for pub­lic view. Unless you’re a pub­lic ser­vant, you wouldn’t share your tax­es with the pub­lic, yet you might still want to use blockchain to make them immutable. SmartStamp’s blockchain brains have been devel­op­ing solu­tions since well before 2010 and they have thought through many of the pri­vate-pub­lic issues. We pub­lish the cryp­to­graph­i­cal­ly secure hash of your data, not the data itself. It’s like pub­lish­ing ‘hash browns’ rather than the whole pota­to! You can proof the file, but the data itself remains for your eyes only and you choose what to share.

After Receiving the Blockchain Certificates of Your Hash

  • Secure the blockchain authen­ti­cat­ed dig­i­tal art file (i.e. “mas­ter IP”) — togeth­er with your blockchain time­stamp cer­tifi­cates — in your archive or cat­a­logue raisonné.
  • More­over, you can share or trans­fer cer­ti­fied twins of these dig­i­tal records with your collectors.
  • Sell your dig­i­tal art or dig­i­tal edi­tions tra­di­tion­al­ly or as NFT, but always keep the mas­ter IP in your cat­a­logue raisonné.

Artist Bio

Emilio Perez is a mul­ti­dis­ci­pli­nary artist whose first video ani­ma­tion, Dream Sea­son (2016), was com­mis­sioned by Time Square Arts. His sec­ond site-spe­cif­ic video ani­ma­tion Som­bras Sil­vestres (2018) was inspired by the rhythms of Cuba and the artist’s per­son­al his­to­ry with the island and com­mis­sioned for the Artes de Cuba Fes­ti­val at The Kennedy Cen­ter in Wash­ing­ton DC. Both dig­i­tal art­works fea­ture an orig­i­nal score by Andrew Yeo­man­son aka Dj Le Spam.

Perez attend­ed Pratt Insti­tute and the Uni­ver­si­ty of Florida’s New World School of the Arts. Perez’s works are in the per­ma­nent col­lec­tions of the PAMM – Perez Art Muse­um, Mia­mi; Albright-Knox Art Gallery, Buf­fa­lo; Fun­dación ARCO, Madrid; and Arkansas Art Cen­ter, Lit­tle Rock; and in cor­po­rate col­lec­tions, inter­na­tion­al­ly. The artist’s paint­ings were fea­tured in the Crit­i­cal Ges­tures, PAMM, Mia­mi; 12th Havana Bien­ni­al; Topogra­phies at the Albright- Knox Art Gallery, Buf­fa­lo; and Signs of the Apocalypse/​Rapture at the Hyde Park Art Cen­ter, Chica­go. Perez had solo exhi­bi­tions with Galerie Lelong in both New York and Paris and has been fea­tured in group exhi­bi­tions in Dus­sel­dorf, Philadel­phia, Hous­ton, and St. Louis, among others.

Emilio Perez was born in New York in 1972 and lives and works in Brooklyn.

Authors: Juli Bail­er and Micaela Giovannotti

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